
The Fall of Gondolin
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– Unabridged
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Presented for the first time as a stand-alone work, the epic tale of The Fall of Gondolin reunites fans of The Hobbit and The Lord of the Rings with Elves and Men, Balrogs, Dragons and Orcs and the rich landscape and creatures unique to Tolkien’s Middle-earth.
This audio production features Samuel West, voicing J. R. R. Tolkien’s original writings, and Timothy West, reading the editorial commentary by Christopher Tolkien.
Gondolin, beautiful but undiscoverable, is central to the enmity of two of the greatest powers in the world.
Morgoth of the uttermost evil seeks in vain to discover the marvellously hidden city of his Elven enemies, while the gods in Valinor refuse to support Ulmo Lord of Waters' designs to protect it.
Into this world comes Tuor, cousin of Túrin, and guided unseen by Ulmo he sets out on the fearful journey to Gondolin to warn them of their coming doom. Then Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs.
- Listening Length8 hours and 18 minutes
- Audible release date14 November 2019
- LanguageEnglish
- ASINB08152JFLD
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 8 hours and 18 minutes |
---|---|
Author | Christopher Tolkien, J. R. R. Tolkien |
Narrator | Timothy West, Samuel West |
Audible.com.au Release Date | 14 November 2019 |
Publisher | HarperCollins |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B08152JFLD |
Best Sellers Rank | 6,122 in Audible Books & Originals (See Top 100 in Audible Books & Originals) 61 in Historical Fantasy (Audible Books & Originals) 232 in Historical Fantasy (Books) 274 in Literary Fiction (Audible Books & Originals) |
Customer reviews
Top reviews from Australia
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Sadly the epic he started writing back in 1917 in the First World War was never completed. If you have read the Silmarillion you know how it ends. Though not having Tolkien's own finishing touches on it, as with anything posthumously released since his passing, makes you wonder what more it could of been if truly completed and not pieced together from countless notes. His son, Christopher, once again does an amazing job of filling gaps and adding narration to certain things
Like always the artwork by Alan Lee is simply sublime. Until Children of Hurin he said he had never worked on the First Age of Middle-earth, he has now brought that magically epic period to life three times like I could of only dreamed.
While there is no true finality to the story of Gondolin in this edition; the book is still worth adding to your collection if you are a big Tolkien fan.
Top reviews from other countries

So what do we get for our money?
1. There are two beautifully written narratives of some length that together go a long way in telling the story published in "The Silmarillion" as the chapter "Of Tuor and the Fall of Gondolin." Whereas that chapter was only 8 published pages, however, these two narratives make for more than 130. Rich with detail, they will delight those who love "The Silmarillion" but probably hold no interest for those not already familiar with that book.
2. Included also are sketches of how JRRT saw the story unfolding after the fall of Gondolin when Tuor's son Eärendil becomes the principal character. There are some interesting surprises such as the information that Eärendil voyaged south and slew Ungoliant, the mother of all spiders who had poisoned the Two Trees in Valinor. We are also informed of the ultimate fate of Arda including the final recovery of the Silmarills and the restoration of the Two Trees.
3. Tolkien fans who are as fascinated by the names of things as the Master himself will enjoy seeing how character and place names evolved or were recycled. For example, we come across what may be the first usage of the name Legolas Greenleaf, which JRRT ultimately used for a major character in The Lord of the Rings. An extensive glossary of names at the end of the book provides further information.
So there you have it. This book is intended and recommended only for the hardcore Tolkien fan already deeply familiar with the mythology of the First Age of Middle Earth. For those, however, who prefer to stick to Hobbits—a view JRRT himself quite understood and approved of—this is probably a pass. Yet it might also prove for such readers an intriguing gateway to the great tales of the First Age.


This book tells four versions of 'The Fall of Gondolin'. The first, called the Original Tale (or simply 'The Tale') is really the only complete version. Christopher Tolkien compares the versions mainly for differences in the story, place and character names and how revisions were made. Whilst interesting, and the implications around those changes are of interest, I personally found the stylistic change in writing more drastic.
The 'Sketch of the Mythology' and 'Quenta Noldorinwa' versions of the story are brief - fine and easy to read but without full development. Contrast the Original Tale with the Last Version (which was unfinished) and you see a huge difference in the telling rather than the content. Thirty years had changed J.R.R. Tolkien it seems. The first version, written in the early 1920s, contains a significant amount of archaic language (understood through the handy glossary at the back) and is written in a way almost biblical. I was somewhat reminded of reading Cormac McCarthy is as much as I needed a dictionary hand to read some of his (utterly brilliant) works. Personally, I really enjoyed it in The Fall of Gondolin as I like learning words no longer in use. It is almost a study of language. It went some way to show the age of the tale I felt. The Last Version is more detailed and, if fully completed, would undoubtedly have been the definitive version of the story. Completed around 1950, Tolkien's style had changed a lot - it is written much more akin to The Lord of the Rings, making it easier to digest for readers. It is more descriptive and archaisms are toned down drastically.
What I would say is that, although you are essentially reading the same tale four times, it never really felt like that for me because each version has so many differences in the length, the amount of details and also in the way of the telling. It feels fresh and new. Christopher Tolkien adds great detail and commentary throughout when needed. Having ignored other Tolkien releases over the past 10 years (since I bought Children of Hurin in 2007), seeing them as money-spinners from the Tolkien estate, I have just bought Beren and Luthien and am keen to start reading it! Highly recommended for any Tolikien fans - even those that found The Silmarillion dry and dull (which I did)!

To preserve a tale comes in the telling and retelling. Sadly Christopher Tolkien seems to have misunderstood this and has not preserved anything, rather frozen it in time.
I’m giving this 5 stars, purely for Alan Lee’s superb illustrations.

For the uninitiated, like most of Christopher Tolkien’s work on the history of Middle-Earth, this book is not one, long narrative, but a journey through the differing developments/versions of this ‘great tale’. For those, like myself, who are into that sort of thing, then this—like the others—is par excellence; giving the depth and immersion you’ve come to expect from Christopher’s expertise and sensitivity to his father’s creations.
It’s rather poetic that Christopher Tolkien’s final editorial release of his father’s work would be first story that J.R.R Tolkien drafted of his Middle-Earth Saga. Knowing this however, brought a twinge of lament when I turned the last page; it saddens me to think that this is possibly the last of Tolkien’s work that we will see emerge. I’ve said this before (somewhere), but I firmly believe that Christopher Tolkien deserves as much praise as his father for editing and bringing all these unfinished tales posthumously to light.
At the risk of sounding paradoxical; the Fall of Gondolin is a triumph!


Reviewed in the United Kingdom on 24 June 2019
For the uninitiated, like most of Christopher Tolkien’s work on the history of Middle-Earth, this book is not one, long narrative, but a journey through the differing developments/versions of this ‘great tale’. For those, like myself, who are into that sort of thing, then this—like the others—is par excellence; giving the depth and immersion you’ve come to expect from Christopher’s expertise and sensitivity to his father’s creations.
It’s rather poetic that Christopher Tolkien’s final editorial release of his father’s work would be first story that J.R.R Tolkien drafted of his Middle-Earth Saga. Knowing this however, brought a twinge of lament when I turned the last page; it saddens me to think that this is possibly the last of Tolkien’s work that we will see emerge. I’ve said this before (somewhere), but I firmly believe that Christopher Tolkien deserves as much praise as his father for editing and bringing all these unfinished tales posthumously to light.
At the risk of sounding paradoxical; the Fall of Gondolin is a triumph!
