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A nice broad retrospective of the various phases of Max's word, from the neo-classical albums through to the film and TV work. The sequencing is good too, with none of the jarring that you often find with "greatest hits" albums.
There's no real stand-out track, but I mean that as a compliment rather than a criticism - everything here is great.
There are some lovely pieces of music on here, particularly from The Leftovers. However, there are equally some forgettable tracks too. I'm also a little surprised that certain tracks, such as Sarajevo, have been omitted.